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LECTURERS
WILLIAM BROCKMAN
is Paterno Family Librarian for Literature at Pennsylvania State University. He
has been Bibliographer for the James Joyce Quarterly since 1991, and
edits the “James Joyce Checklist” (http://norman.hrc.utexas.edu/jamesjoycechecklist),
a comprehensive online bibliography of publications by and about Joyce. He has
lectured at the Joyce School in Trieste and is a Trustee on the Board of the
International James Joyce Foundation. He has published essays and articles on
Joyce in James Joyce Quarterly, Joyce Studies Annual, Journal
of Modern Literature, Papers of the Bibliographical Society of America,
Genetic Joyce Studies and the collection, James Joyce in Context
(2009). He is co-editor of a forthcoming edition of Joyce's correspondence.
LUCA CRISPI
is lecturer in the UCD School of English, Drama and Film. He is
co-editor of How Joyce Wrote “Finnegans Wake” (2007) and author of
Joyce’s Creative Process and the Construction of Characters in “Ulysses”(2015).
He is a founding co-editor with Anne Fogarty of the Dublin James Joyce
Journal (2008- present). He was the James Joyce and W.B. Yeats
Research Scholar at the National Library of Ireland, 2003-7, and co-curator of
the exhibitions James Joyce and Ulysses and The Life and Works of W.B.
Yeats and was the James Joyce Scholar-in-Residence, University at Buffalo,
State University of New York, from 1996 to 2003.
LEAH FLACK is an associate professor of
English at Marquette University (Milwaukee, Wisconsin, USA). She works on
transnational modernism, classical reception studies, and modern Irish
literature. Cambridge University Press published her first book, Modernism
and Homer: the Odysseys of HD, James Joyce, Osip Mandelstam, and Ezra Pound,
in 2015. She has also published her research in Modernism/Modernity and
the James Joyce Quarterly. She is currently working on a book for
Bloomsbury Press entitled James Joyce and Classical Modernism.
ANNE FOGARTY is Professor of James
Joyce Studies at University College Dublin. She is founder and co-editor with
Luca Crispi of the Dublin James Joyce Journal
and was editor of
the Irish University Review,
2002-2009. She was Associate
Director of the Yeats International Summer School 1995-1997 and has been
Academic Director of the Dublin James Joyce Summer School since 1997.
She was President of the International James Joyce Foundation from
2008-2012 and has co-organized three international James Joyce symposia, one in
London (in 2000) and two in Dublin (in 2004 and 2012).
She has written about many aspects of Joyce’s work
(especially historicist dimensions of
Dubliners and Ulysses) and is
co-editor with Timothy Martin of Joyce on the Threshold (2005), with
Morris Beja of Bloomsday 100: Essays on “Ulysses”(
2009), and with Fran O’Rourke of Voices on
Joyce (2015).
Her study of
the historical and
political dimensions of Ulysses is forthcoming, entitled James Joyce
and the Politics of Commemoration: Reading History in “Ulysses”.
She
has published widely on aspects of contemporary Irish writing and written
essays on Eavan Boland, Colum McCann, Colm Tóibín, Mary Lavin, Roddy Doyle,
Eimear McBride, and Éilís Ní Dhuibhne and co-edited in 2013 a collection of
essays, Imagination in the Classroom,
the first study of the teaching of creative writing in Ireland.
She has recently co-edited the first collection of essays on the Northern
Irish novelist Deirdre Madden, Deirdre Madden: New Critical Perspectives, which is forthcoming from
Manchester University Press.
MARC A. MAMIGONIAN
is the Director of Academic Affairs at the National
Association for Armenian Studies and Research (NAASR) in Belmont, Massachusetts,
and the editor of the Journal of Armenian Studies. He is the editor
of the volume The Armenians of New England and has published scholarly
articles in the Journal of Armenian Studies, Journal of the Society
for Armenian Studies, Armenian Review, Genocide Studies
International, and the James Joyce Quarterly. He is the
co-author (with Sam Slote and John Turner) of annotations to Ulysses
(Alma Classics) and co-author (with John Turner) of annotations to A Portrait
of the Artist as a Young Man (Alma Classics), and Stephen Hero (JJQ
40.3 [Spring 2003]).
CHRISTINE O’NEILL
studied English and German at the
University of Zurich and Trinity College Dublin. Her publications include Too
Fine a Point: A Stylistic Analysis of the “Eumaeus”
Episode in James Joyce's “Ulysses” (1996), Inductive Scrutinies: Focus on
Joyce, a collection of essays by Fritz Senn (1995), The Joycean Murmoirs
of Fritz Senn (2007) and Niall Montgomery: Dublinman (2015). She has
contributed to various recent international Joyce publications and has worked as
a researcher, editor, translator and arts administrator in recent years.
RICHARD RANKIN RUSSELL is Graduate
Programme Director and Professor of English at Baylor University in Texas. He
has written five books and edited three others — all on Irish authors — and is
currently working on a study of Joyce and the North of Ireland. His monographs
include Seamus Heaney: An Introduction
(Edinburgh University Press, 2016), Seamus
Heaney’s Regions (University of Notre Dame Press, 2014),
Modernism, Community and Place in Brian
Friel’s Drama (Syracuse University Press, 2013), and
Bernard MacLaverty (Bucknell University Press, 2004) and he has also
edited Bernard MacLaverty: New Critical
Readings (Bloomsbury, 2014) and Martin McDonagh: A Casebook (Routledge, 2013).
FRITZ SENN is founder and Director of
the Zürich James Joyce Foundation and Patron of the Dublin James Joyce Summer
School. He has played a key role in
shaping Joyce Studies and has written widely on all aspects of Joyce's work,
especially on Joyce and translation and on Joyce's use of Classical literature.
His publications include, Joyce's Dislocutions, edited by John Paul
Riquelme (1984), Inductive Scrutinies: Focus on Joyce, edited by
Christine O'Neill (Lilliput, 1995). A volume of interviews tracing his
recollections of the global Joyce community, The Joycean Murmoirs, was
published in 2007, edited by Christine O'Neill.
Noch mehr über Joyce: Streiflichter,
a collection of essays, appeared in 2012.
CHRISSIE VAN MIERLO grew up in Oldham, Lancashire
and went on to study for her undergraduate degree, in Art History and English,
at the University of Nottingham. She completed a part-time Masters at Birkbeck,
University of London and, in 2013, gained a doctorate from Royal Holloway.
She has been a Visiting Scholar at the
Zurich James Joyce Foundation and has lectured at RHUL and at Loughborough
University in the UK. She is the author of James Joyce and Catholicism: The
Apostate's Wake (Bloomsbury, 2017) as well as a number of essays and reviews
on Joycean subjects. She is currently co-authoring a book, with Sarah Davison,
entitled James Joyce and the Archive of English Literature: “Oxen of the Sun”
Revisited.
WIM VAN MIERLO teaches English and Publishing
at Loughborough University, UK. An expert on literary manuscripts and archives,
he has published extensively on James Joyce’s notebooks and manuscripts. He has
co-edited, among other volumes, Genitricksling Joyce and The Reception
of James Joyce in Europe. He has also edited the manuscripts of W. B.
Yeats’s Where There is Nothing and The Unicorn from the Stars for
the Yeats Cornell Series. He is the President of the European Society for
Textual Scholarship and edits the Society’s journal, Variants. His
current project is a book called The Archaeology of the Poem, an analysis
of the writing methods of seven nineteenth- and twentieth-century poets,
beginning with William Wordsworth and ending with Ted Hughes.
SEMINAR LEADERS
DUBLINERS
PETER VAN DE KAMP has published 18 books, including a biography of
Flann O’Brien (with Peter Costello), an anthology of Irish Literature in the 18th
Century and three anthologies of Irish Literature in the 19th Century
(with A. Norman Jeffares), the Collected Works of James Clarence Mangan (with
Jacques Chuto et al.), a collection of essays on Yeats, Dutch and Flemish Poetry
Translated by Irish Poets, and three books of his own verse. He is still working
on his (belated) book on Joyce’s Dubliners. He has taught at Leiden
University and at UCD, has been visiting professor at NTU, Singapore, and is now
teaching at the Institute of Technology Tralee.
A
PORTRAIT OF THE ARTIST AS A YOUNG MAN
CHRISTINE O’NEILL
studied English and German at the
University of Zurich and Trinity College Dublin. Her publications include Too
Fine a Point: A Stylistic Analysis of the “Eumaeus” Episode in James Joyce's
“Ulysses” (1996), Inductive Scrutinies: Focus on Joyce, a collection
of essays by Fritz Senn (1995), The Joycean Murmoirs of Fritz Senn (2007)
and Niall Montgomery: Dublinman (2015). She has contributed to various
recent international Joyce publications and has worked as a researcher, editor,
translator and arts administrator in recent years.
ULYSSES
FRITZ SENN is founder and Director of
the Zürich James Joyce Foundation and Patron of the Dublin James Joyce Summer
School. He has played a key role in
shaping Joyce Studies and has written widely on all aspects of Joyce's work,
especially on Joyce and translation and on Joyce's use of Classical literature.
His publications include, Joyce's Dislocutions, edited by John Paul
Riquelme (1984), Inductive Scrutinies: Focus on Joyce, edited by
Christine O'Neill (Lilliput, 1995). A volume of interviews tracing his
recollections of the global Joyce community, The Joycean Murmoirs, was
published in 2007, edited by Christine O'Neill.
Noch mehr über Joyce: Streiflichter, a collection of essays, appeared in 2012.
FINNEGANS WAKE
TERENCE KILLEEN
is Research Scholar at the James Joyce Centre, Dublin. He has written on Joyce
in the James Joyce Quarterly, the James Joyce Literary Supplement
and the Joyce Studies Annual. He is a frequent contributor to the online
resource,
jjon.org.
His recent publications include an essay on the photographs of Joyce's Dublin by
the Modernist photographer Lee Miller taken in 1946, which appeared in Voices
on Joyce (UCD Press, 2015). An essay on the editing of Finnegans Wake
has appeared in the online journal Genetic Joyce Studies and another
essay, "From Notes to Text: The Role of the Notebooks in the Composition of
Finnegans Wake", has appeared in Dublin James Joyce Journal 8 (2015). "A Starchamber Quiry:
Finnegans Wake and the Law", is forthcoming in a volume to be published by
Florida University Press and "A
Portrait Without Perspective" will appear in the Palgrave Macmillan
collection, Outside His Jurisfiction, edited by Katherine Ebury and James
Fraser. He is the author of “Ulysses”
Unbound: A Reader's Companion to “Ulysses". He has recently been elected to
serve a second term as a trustee of the International James Joyce Foundation, is
a member of the board of the
James Joyce Centre, and is a former journalist with The Irish Times, for
which he still writes.
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