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LECTURERS
ELIZABETH M. BONAPFEL is a German Research
Foundation (DFG) Research Associate at the Peter Szondi Institute for
Comparative Literature, Freie Universität Berlin. Her current book project
traces the evolution of punctuation in modern English literature. She received
her Ph.D. in English and American Literature from New York University with a
certificate in Poetics and Theory in 2014 and a postgraduate certificate in the
History of the Book from the Institute of English Studies, School of Advanced
Studies, University of London in 2017. She was a Volkswagen Foundation and
Andrew W. Mellon Foundation Postdoctoral Fellow at the Dahlem Humanities Center,
Freie Universität Berlin (2014-2015) and a doctoral fellow of the German
Research Foundation (DFG) graduate research colloquium Lebensformen und
Lebenswissen (Life Forms and the Know How of Living) at the Europa-Universität
Viadrina (2011-2014). She is co-editor of Doubtful Points: Joyce and Punctuation
(2014), in which her article “Marking Realism in Dubliners” appears. Other work
has appeared or will appear in Theatre Survey, the Dublin James Joyce Journal,
the James Joyce Quarterly, and Joyce Studies in Italy. She received her BA in
English Literature from Haverford College.
MICHAEL G. CRONIN is a Lecturer in English
at Maynooth University, where he directs the MA in Literatures of Engagement. He
is the author of Impure Thoughts: Sexuality, Catholicism and Literature in
Twentieth-Century Ireland (MUP, 2012), along with essays on twentieth-century
and contemporary Irish fiction and on gender/sexuality politics in Irish
culture. He is currently working on a project provisionally entitled
“Revolutionary Bodies: Homoeroticism and the Political Imagination in Irish
Writing”.
LUCA CRISPI is a Lecturer in the UCD James
Joyce Research Centre in the School of English, Drama and Film at University
College Dublin. He is co-editor (with Sam Slote) of How Joyce Wrote “Finnegans
Wake” (University of Wisconsin, 2007) and author of Joyce’s Creative Process and
the Construction of Characters in “Ulysses”: Becoming the Blooms (OUP 2015). He
is founder and co-editor with Anne Fogarty of the Dublin James Joyce
Journal (2008-present). He was the James Joyce and W.B. Yeats Research Scholar
at the National Library of Ireland, 2003-7, and co-curator of the exhibitions
‘James Joyce and Ulysses’ and “The Life and Works of W.B. Yeats” and was the
James Joyce Scholar-in-Residence, University at Buffalo, State University of New
York, from 1996 to 2003. His recent articles have appeared in Variants: The
Journal of the European Society for Textual Scholarship, James Joyce
Quarterly, Genetic Joyce Studies, and European Joyce Studies. He is currently
working on a monograph entitled The Genesis of “Ulysses”, and is editing with
Alexis and Maria Anna Léon a volume titled James Joyce and Paul L. Léon: The
Story of a Friendship Revisited.
ANNE FOGARTY is Professor of James Joyce
Studies at University College Dublin. She is founder and co-editor with Luca
Crispi of the Dublin James Joyce Journal and was editor of the Irish University
Review, 2002-2009. She was Associate Director of the Yeats International Summer
School 1995-1997 and has been Academic Director of the Dublin James Joyce Summer
School since 1997. She was President of the International James Joyce
Foundation from 2008-2012 and has co-organized three international James Joyce
symposia, one in London (in 2000) and two in Dublin (in 2004 and 2012). She has
written about many aspects of Joyce’s work (especially historicist dimensions of
Dubliners and Ulysses) and is co-editor with Timothy Martin of Joyce on the
Threshold (2005), with Morris Beja of Bloomsday 100: Essays on “Ulysses”( 2009),
and with Fran O’Rourke of Voices on Joyce (2015). Her study of the historical
and political dimensions of Ulysses is forthcoming, entitled James Joyce and the
Politics of Commemoration: Reading History in “Ulysses”. She has published
widely on aspects of contemporary Irish writing and written essays on Eavan
Boland, Colum McCann, Colm Tóibín, Mary Lavin, Roddy Doyle, Eimear McBride, and
Éilís Ní Dhuibhne and co-edited in 2013 a collection of essays, Imagination in
the Classroom, the first study of the teaching of creative writing in Ireland.
She has recently co-edited the first collection of essays on the Northern Irish
novelist Deirdre Madden, Deirdre Madden: New Critical Perspectives, which is
forthcoming from Manchester University Press.
TERENCE KILLEEN is Research Scholar at the
James Joyce Centre, Dublin. He has written on Joyce in the James Joyce
Quarterly, the James Joyce Literary Supplement and the Joyce Studies Annual. He
is a frequent contributor to the online resource,
jjon.org. His recent publications include an essay on the photographs of
Joyce's Dublin by the Modernist photographer Lee Miller taken in 1946, which
appeared in Voices on Joyce (UCD Press, 2015). An essay on the editing of
Finnegans Wake has appeared in the online journal Genetic Joyce Studies and
another essay, "From Notes to Text: The Role of the Notebooks in the Composition
of Finnegans Wake", has appeared in Dublin James Joyce Journal 8 (2015). "A
Starchamber Quiry: Finnegans Wake and the Law" was published in Joyce and the
Law, ed. Jonathan Goldman (University of Florida Press, 2017) and "A Portrait
Without Perspective" appeared in the 2018 Palgrave Macmillan collection, Outside
His Jurisfiction, edited by Katherine Ebury and James Fraser. He is the author
of “Ulysses” Unbound: A Reader's Companion to “Ulysses", a new edition of which
was published by University of Florida Press in 2018. He has recently been
elected to serve a second term as a trustee of the International James Joyce
Foundation, is a member of the board of the SHAPE \* MERGEFORMAT James Joyce
Centre, and is a former journalist with The Irish Times, for which he still
writes.
ONNO KOSTERS is an Assistant Professor of
English literature and translation at Utrecht University. His teaching and
research fields are English and Anglo-Irish literature 1700-present, and
(literary) translation. He wrote his doctoral dissertation on James Joyce
(Ending in Progress: Final Sections in James Joyce’s Prose Fictions, 1999), and
has published translations of and studies on Joyce, Samuel Beckett, T.S. Eliot,
E.E. Cummings, Weldon Kees, Seamus Heaney, Derek Walcott, and many others.He has
Kosters edited and published in volume 14.1 (2015) of Hypermedia Joyce Studies,
dedicated to Joyce's poetry. He is an advisor of the new scholarly edition of
Finnegans Wake, to be published by OUP in 2019, and a member of the editorial
boards of European Joyce Studies and Samuel Beckett Today/Aujourd'hui. Kosters
was the Director of “a long the krommerun: XXIV International James Joyce
Symposium, Utrecht, June 2014”
(http://jjs2014.wp.hum.uu.nl/).The selected papers of the Symposium were
published in 2016 (Brill Publications, no. 24 in the European Joyce Studies
series). He is currently working on a monograph on Joyce, to be published 2
February 2022. To date, Kosters has published four collections of poetry;
selections from his creative work were translated into English, German and
French (for more information, see
www.doelverdediger.nl). In 2013 he was awarded the annual Turing Poetry
Award. Kosters’ translation into Dutch of Beckett’s novel Watt was published in
2006 and awarded the annual Filter Translation Award. His translation (with Han
van der Vegt) of Heaney’s penultimate collection District and Circle was
published in 2013 (Meulenhoff publishers); Kosters’ and Van der Vegt’s
translation of Adam Foulds’s The Broken Word was published in 2014.
PETER KUCH is the inaugural Eamon Cleary
Professor of Irish Studies, University of Otago, New Zealand. He holds an
Honours degree from the University of Wales and an M.Litt and D.Phil from
Oxford, where he studied with Richard Ellmann and John Kelly. He has held posts
at the University of Newcastle, Australia; Université de Caen, France; and the
University of New South Wales, Australia; and been a Visiting Fellow at the
Humanities Research Centre at the Australian National University; at Trinity
College, Dublin; and the Keogh Naughton Institute at Notre Dame (USA). He has
published more than 60 refereed articles, book chapters and books on Yeats,
Joyce, Eliot, Irish theatre, Irish literature, Irish and Australian film,
literary theory, Australian literature, and Irish/Australian history and
presented conference papers and given lectures in over 30 countries. He is a
commissioning editor for the Irish Studies Review (Routledge) and is on the
Editorial Board of several journals. His most recent book is Irish
Divorce/Joyce's Ulysses (New York: Palgrave Macmillan, 2017).
AKRAM PEDRAMNIA is an Iranian-Canadian
writer and translator. She has studied both English Literature and Medicine at
the University of Tehran and McMaster University. She is the current translator
of James Joyce’s Ulysses in the Persian language, for which the first volume
will be released in the Spring of 2018. She is also the translator of F. Scott
Fitzgerald’s Tender is the Night (2009) and Vladimir Nabokov’s Lolita (2013),
which was disseminated through the Iranian black market. Her works challenge a
system of imposed censorship of literature. She has also translated works by
various authors such as Colm Tóibín, E. L. Doctorow, Joan London, Noam Chomsky,
Richard B. Wright, Naomi Klein, among others. She has also authored 4 novels in
the Persian language on themes which reveal underlying social issues in Iran.
ANTHONY ROCHE is Professor Emeritus in the
School of English, Drama and Film, University College Dublin. His publications
include Contemporary Irish Drama (Gill and Macmillan, 1994; second expanded
edition Palgrave Macmillan, 2009), Brian Friel: Theatre and Politics (Palgrave
Macmillan, 2011), Synge and the Making of Modern Irish Drama (Carysfort Press,
2013) and The Irish Dramatic Revival 1899-1939 (Methuen, 2015). He is editor of
The Cambridge Companion to Brian Friel (Cambridge University Press, 2006). He is
Chair of the Management Board of the Irish University Review.
FRITZ SENN is founder and Director of the
Zürich James Joyce Foundation and Patron of the Dublin James Joyce Summer
School. He has played a key role in shaping Joyce Studies and has written
widely on all aspects of Joyce's work, especially on Joyce and translation and
on Joyce's use of Classical literature. His publications include, Joyce's
Dislocutions, edited by John Paul Riquelme (1984), Inductive Scrutinies: Focus
on Joyce, edited by Christine O'Neill (Lilliput, 1995). A volume of interviews
tracing his recollections of the global Joyce community, The Joycean Murmoirs,
was published in 2007, edited by Christine O'Neill. Noch mehr über Joyce:
Streiflichter, a collection of essays, appeared in 2012.
SEMINAR LEADERS
DUBLINERS
SCOTT ERIC HAMILTON completed his PhD at
University College Dublin in 2013 and is currently an instructor and lecturer of
academic writing and literature at UCD. Dr. Hamilton has published essays in
various journals on the works of Samuel Beckett and is co-editor of the 2017
volume Samuel Beckett and the ‘State’ of Ireland. One of his current research
projects, Beckett’s Excavatory Aesthetic, focuses on archaeology, landscape, and
time in Beckett’s work. The second research project, currently entitled The
Beckett Directory, aims to chronicle all of the proper names in Beckett’s canon.
He is also guest editor for an upcoming special issue of The Parish Review:
Journal of the International Flann O’Brien Society focusing on issues of
identity and authorship in the work of Flann O’Brien. Dr. Hamilton was a
researcher for the development of the 2014 “James Joyce’s ‘The Dead’” IPad
application.
A
PORTRAIT OF THE ARTIST AS A YOUNG MAN
CHRISTINE O’NEILL studied English and
German at the University of Zurich and Trinity College Dublin. Her publications
include Too Fine a Point: A Stylistic Analysis of the “Eumaeus” Episode in James
Joyce's “Ulysses” (1996), Inductive Scrutinies: Focus on Joyce, a collection of
essays by Fritz Senn (1995), The Joycean Murmoirs of Fritz Senn (2007) and Niall
Montgomery: Dublinman (2015). She has contributed to various recent
international Joyce publications and has worked as a researcher, editor,
translator and arts administrator in recent years.
ULYSSES
FRITZ SENN is founder and Director of
the Zürich James Joyce Foundation and Patron of the Dublin James Joyce Summer
School. He has played a key role in shaping Joyce Studies and has written
widely on all aspects of Joyce's work, especially on Joyce and translation and
on Joyce's use of Classical literature. His publications include, Joyce's
Dislocutions, edited by John Paul Riquelme (1984), Inductive Scrutinies: Focus
on Joyce, edited by Christine O'Neill (Lilliput, 1995). A volume of interviews
tracing his recollections of the global Joyce community, The Joycean Murmoirs,
was published in 2007, edited by Christine O'Neill. Noch mehr über Joyce:
Streiflichter, a collection of essays, appeared in 2012.
FINNEGANS WAKE
TERENCE KILLEEN is Research Scholar at the
James Joyce Centre, Dublin. He has written on Joyce in the James Joyce
Quarterly, the James Joyce Literary Supplement and the Joyce Studies Annual. He
is a frequent contributor to the online resource,
jjon.org. His recent publications include an essay on the photographs of
Joyce's Dublin by the Modernist photographer Lee Miller taken in 1946, which
appeared in Voices on Joyce (UCD Press, 2015). An essay on the editing of
Finnegans Wake has appeared in the online journal Genetic Joyce Studies and
another essay, "From Notes to Text: The Role of the Notebooks in the Composition
of Finnegans Wake", has appeared in Dublin James Joyce Journal 8 (2015). "A
Starchamber Quiry: Finnegans Wake and the Law" was published in Joyce and the
Law, ed. Jonathan Goldman (University of Florida Press, 2017) and "A Portrait
Without Perspective" appeared in the 2018 Palgrave Macmillan collection, Outside
His Jurisfiction, edited by Katherine Ebury and James Fraser. He is the author
of “Ulysses” Unbound: A Reader's Companion to “Ulysses", a new edition of which
was published by University of Florida Press in 2018. He has recently been
elected to serve a second term as a trustee of the International James Joyce
Foundation, is a member of the board of the SHAPE \* MERGEFORMAT James Joyce
Centre, and is a former journalist with The Irish Times, for which he still
writes.
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