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LECTURES
& SEMINARS
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Each morning two lectures take place in
Newman House. Each afternoon several series of seminars are held in
Newman House and Boston College. All lectures and a choice of seminar
are included in student enrollment. Members of the public may attend
the morning lectures by purchasing a day-pass for 20 Euro. Seminars are
reserved for enrolled students only. See the daily Academic Schedule
for details.
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LECTURERS PATRICK CALLAN
is a historian of early twentieth-century Dublin and Ireland. His early
career historical research focused on the recruiting campaigns for the
British Army in Ireland during the First World War, cultural aspects of
Irish education, as well as Irish literary and journalistic figures
such as Sean O’Casey, William Bulfin, and D. P. Moran. More recently,
he has turned his attention to the representation of Dublin in Ulysses,
and the broadcasting of Joyce’s work on the BBC. He has published on
Joycean themes in the James Joyce Quarterly. He is a visiting research
fellow in the Centre for Contemporary Irish History at Trinity College
Dublin, and an occasional lecturer in education at Maynooth University.
FRANK CALLANAN
is a historian and member of the Irish bar practising in Dublin. He is
the author of The Parnell Split 1890–1 (1992) and the biography of
Parnell’s principal adversary, T.M. Healy (1996). He has also written
the entries on Parnell, Healy, John Dillon, and Richard Barry O’Brien
for the Dictionary of Irish Biography. His recent essays on Joyce have
appeared in the Dublin James Joyce Journal and the Joyce Studies
Annual, and he is completing a monograph entitled James Joyce in
Ireland: A Political Life.
LUCA CRISPI
is a Lecturer in the UCD James Joyce Research Centre in the School of
English, Drama, and Film at University College Dublin. He is co-editor
(with Sam Slote) of How Joyce Wrote “Finnegans Wake” (University of
Wisconsin, 2007) and author of Joyce’s Creative Process and the
Construction of Characters in “Ulysses”: Becoming the Blooms (Oxford
University Press, 2015), which was issued in paperback in 2019. He is
founder and co-editor with Anne Fogarty of the Dublin James Joyce
Journal (2008-present). He was the James Joyce and W.B. Yeats Research
Scholar at the National Library of Ireland, 2003-7, and co-curator of
the exhibitions “James Joyce and Ulysses” and “The Life and Works of
W.B. Yeats” and was the James Joyce Scholar-in-Residence, University at
Buffalo, State University of New York, from 1996 to 2003. His most
recent article has appeared in Joyce Studies Annual, and he has
forthcoming articles in the James Joyce Quarterly and Genetic Joyce
Studies. He is currently working on a monograph entitled The Genesis of
“Ulysses”, and is editing with Alexis and Maria Anna Léon a volume
titled James Joyce and Paul L. Léon: The Story of a Friendship
Revisited (Bloomsbury, forthcoming 2021).
ANNE FOGARTY is
Professor of James Joyce Studies at University College Dublin. She is
founder and co-editor with Luca Crispi of the Dublin James Joyce
Journal and was editor of the Irish University Review, 2003-2009.
She was Associate Director of the Yeats International Summer School
1995-1997 and has been Director of the Dublin James Joyce Summer School
since 1997. She was President of the International James
Joyce Foundation from 2008-2012 and has co-organized three
international James Joyce symposia, one in London (in 2000) and two in
Dublin (in 2004 and 2012). She has written about many aspects of
Joyce’s work (especially historicist dimensions of Dubliners and
Ulysses) and is co-editor with Timothy Martin of Joyce on the Threshold
(2005), with Morris Beja of Bloomsday 100: Essays on “Ulysses”( 2009),
and with Fran O’Rourke of Voices on Joyce (2015). She is
completing a study of the historical and political dimensions of
Ulysses, James Joyce and the Politics of Commemoration: Reading History
in “Ulysses”. She has published widely on aspects of contemporary
Irish writing and written essays on Eavan Boland, Colum McCann, Colm
Tóibín, Mary Lavin, Roddy Doyle, Eimear McBride, and Éilís Ní Dhuibhne
and co-edited in 2013 a collection of essays, Imagination in the
Classroom, the first study of the teaching of creative writing in
Ireland. She has recently co-edited the first collection of
essays on the Northern Irish novelist Deirdre Madden, Deirdre Madden:
New Critical Perspectives, which is forthcoming from Manchester
University Press. She is currently editing Dubliners for
Penguin Books.
TIMOTHY MARTIN
is a member of the English faculty at Rutgers University, Camden
campus. He is the author of Joyce and Wagner and of numerous essays on
Irish literature and literary modernism, as well as editor or co-editor
of several volumes devoted to Joyce, including Joyce on the Threshold,
co-edited with Anne Fogarty. He has lectured at the Joyce summer
schools in Dublin and in Trieste on many occasions. He recently
completed a seven-year term as Director of the Honors College at
Rutgers-Camden.
KATHERINE O’CALLAGHAN
lectures on James Joyce, modernism, Irish literature, and the role of
music in novels at UMass Amherst. She is a member of the Board of
Trustees of the International James Joyce Foundation. She received her
PhD on the topic of Joyce and Music from University College Dublin. She
is the editor of Essays on Music and Language in Modernist Literature:
Musical Modernism (Routledge, 2018), and the co-editor, with Oona
Frawley, of Memory Ireland Volume IV: James Joyce and Cultural Memory
(Syracuse University Press, 2014). Her most recent article, “The
Riddle of the Brocken Spectre: Reading Finnegans Wake on the Top of
Croagh Patrick," was published in the James Joyce Quarterly.
DEIRDRE MULROONEY
completed a PhD at UCD and is author of Irish Moves: An Illustrated
History of Dance and Physical Theatre in Ireland (2006), and The
Nomadic Work of Pina Bausch (2002), as well as several publications
across the Arts. A specialist in 20th Century Dance History in
Ireland, Deirdre’s film documentaries Dance Emergency (TG4 Splanc!) and
1943 – A Dance Odyssey (RTE One) about Erina Brady have screened at
film festivals worldwide. Deirdre’s most recent short dance film,
Lucia Joyce: Full Capacity, premiered at Bloomsday in Trieste in 2019,
and is currently touring festivals, including the Kerry International
Film Festival and the Richard Harris International Film Festival where
Evanna Lynch was nominated for best actor in a female role. Deirdre’s
BAI-funded documentary on Lucia Joyce’s Modern Dance career was
broadcast on RTE Lyric FM in July 2019, and is available to listen to
at www.deirdremulrooney.com along with a wide array of Deirdre’s other
Arts documentaries and publications. Deirdre is currently inaugural
UCD Arts and Humanities Creative Fellow 2019/2020.
TAMARA RADAK
is the Department of English and American Studies at the University of
Vienna. She received her PhD from the University of Vienna in 2017,
with a thesis on “Modernist Aporias of Closure” in the works of James
Joyce, Virginia Woolf, and Flann O’Brien. Her work has appeared in the
James Joyce Quarterly, European Joyce Studies, Irish Studies in Europe,
The Review of Irish Studies in Europe and other journals. Together with
Paul Fagan and John Greaney, she is currently preparing an edited
collection titled, Irish Modernisms: Gaps, Conjectures, Possibilities.
PAUL SAINT-AMOUR
is Walter H. and Leonore C. Annenberg Professor in the Humanities and
chairs the Department of English at the University of Pennsylvania. He
is the author of The Copywrights: Intellectual Property and the
Literary Imagination and Tense Future: Modernism, Total War,
Encyclopedic Form. Saint-Amour edited Modernism and Copyright and
co-edits, with Jessica Berman, the Modernist Latitudes series at
Columbia University Press. He has been president of the Modernist
Studies Association and currently serves as a trustee of the
International James Joyce Foundation.
HELEN SAUNDERS
completed her PhD, on fashion and the work of James Joyce, at King’s
College London in 2017. Her peer-reviewed articles have been published
in Journal of Victorian Culture (on Joyce and actresses), James Joyce
Quarterly (on laundry), Irish Studies Review (on traditional Irish
dress), and Fashion, Film and Consumption (on Finnegans Wake and
masquerade). She also contributed a chapter to English: Shared Futures
(Boydell & Brewer, 2018). Further work has appeared in The Times
Literary Supplement, The Conversation, and The Bookseller. She
co-organized a conference devoted to the 'Aeolus' episode of Ulysses,
in 2018, and has spoken about modernist dress at the Ashmolean Museum
in Oxford. She previously served on the Executive Council of the
British Association of Modernist Studies.
SEMINAR LEADERS
DUBLINERS
SCOTT HAMILTON is
a research associate at the UCD Humanities Institute and a lecturer in
the UCD School of English, Drama, and Film and a writing instructor in
the UCD Writing Centre. He has co-organized a successful series of
international conferences entitled “Beckett and the ‘State’ of Ireland”
(2001-2003), “Palimpsests: V International Flann O’Brien Conference”
(2019), and “Theorizing Zombiism” (2019). He is co-editing a
volume of essays from the “Theorizing Zombiism” conference as well as
guest editing a forthcoming special issue of The Parish Review: Journal
of the International Flann O’Brien Society.
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A PORTRAIT OF THE ARTIST AS A YOUNG MAN
CHRISTINE O’NEILL studied
English and German at the University of Zurich and Trinity College
Dublin. Her publications include Too Fine a Point: A Stylistic Analysis
of the “Eumaeus” Episode in James Joyce's “Ulysses” (1996), Inductive
Scrutinies: Focus on Joyce, a collection of essays by Fritz Senn
(1995), The Joycean Murmoirs of Fritz Senn (2007), and Niall
Montgomery: Dublinman (2015). She has contributed to various recent
international Joyce publications and has worked as a researcher,
editor, translator and arts administrator in recent years.
ULYSSES
SAM SLOTE Like
the eponymous Joyce scholar of the novel The Death of a Joyce Scholar,
Sam Slote is a Professor at Trinity College Dublin and lives in the
Liberties in Dublin. He is the author of Joyce’s Nietzschean Ethics
(Palgrave, 2013) and is the co-editor, with Luca Crispi, of How Joyce
Wrote ‘Finnegans Wake’ (Wisconsin, 2007). His Annotations to James
Joyce’s “Ulysses”, co-written with Marc Mamigonian and John Turner,
will be published by Oxford University Press in 2020. In addition to
Joyce and Beckett, he has written on Virginia Woolf, Vladimir Nabokov,
Raymond Queneau, Antonin Artaud, Dante, Mallarmé, and Elvis.
FINNEGANS WAKE
TERENCE KILLEEN is
Research Scholar at the James Joyce Centre, Dublin. He has written on
Joyce in the James Joyce Quarterly, the James Joyce Literary Supplement
and the Joyce Studies Annual. He is a frequent contributor to the
online resource, jjon.org. His recent publications include an essay on
the photographs of Joyce's Dublin by the Modernist photographer Lee
Miller taken in 1946, which appeared in Voices on Joyce (UCD Press,
2015). An essay on the editing of Finnegans Wake has appeared in
the online journal Genetic Joyce Studies, "From Notes to Text:
The Role of the Notebooks in the Composition of Finnegans Wake" has
appeared in Dublin James Joyce Journal 8 (2015), and "A Portrait
Without Perspective" appeared in the 2018 Palgrave Macmillan
collection, Outside His Jurisfiction, edited by Katherine Ebury and
James Fraser. He is the author of “Ulysses” Unbound: A Reader's
Companion to “Ulysses", a new edition of which was published by
University of Florida Press in 2018. He has been elected to serve a
second term as a trustee of the International James Joyce Foundation,
is a member of the board of the ShapeJames Joyce Centre, and is a
former journalist with The Irish Times, for which he still
writes. He was a keynote speaker at the James Joyce Conference in
Mexico City in June 2019.
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The
Dublin James Joyce Summer School and University College Dublin are
pleased to present the 2021 programme in collaboration with the National Library of Ireland and the James Joyce
Centre, Dublin.

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